Question 1

What was the 'Imprimer le Monde' exhibition?

Accepted Answer

The 'Imprimer le Monde' (Printing the World) exhibition was a significant show held at the Centre Pompidou in Paris. It explored how digital technologies, particularly 3D printing, were transforming the fields of art, architecture, and design, and questioned the status of the '3D printed object' in contemporary creation.

Question 2

What was the main theme of the 'Imprimer le Monde' exhibition?

Accepted Answer

The exhibition's central theme revolved around the revolution of design and manufacturing by digital technologies. It investigated the new status of the author and the object in an era of non-standard, unique, yet industrially produced creations, ranging from microscopic cellular structures to architectural prototypes.

Question 3

Where and when did the 'Imprimer le Monde' exhibition take place?

Accepted Answer

The 'Imprimer le Monde' exhibition was held at the Centre Pompidou, Musée National d'Art Moderne, in Paris, France. It ran from March 15 to July 19, 2017, as part of the Centre Pompidou's 'Mutations/Créations' event series.

Question 4

Who curated the 'Imprimer le Monde' exhibition?

Accepted Answer

The 'Imprimer le Monde' exhibition was curated by Marie-Ange Brayer and Olivier Zeitoun from the Centre Pompidou.

Question 5

What work did Michael Hansmeyer exhibit at 'Imprimer le Monde'?

Accepted Answer

Michael Hansmeyer showcased the premiere of his 'Digital Grotesque II' project at the 'Imprimer le Monde' exhibition. This work is part of his ongoing exploration of algorithmic design and digital fabrication to create complex, ornamental forms.

Question 6

How did 'Digital Grotesque II' fit into the exhibition's theme?

Accepted Answer

'Digital Grotesque II' was a prime example of the exhibition's focus on 3D printing and digital materiality. Hansmeyer's project demonstrated how algorithms and advanced fabrication techniques could produce unprecedented architectural ornamentation and intricate structures, pushing the boundaries of what is possible with digital creation.

Question 7

What kind of technologies were featured in the exhibition?

Accepted Answer

The exhibition primarily featured 3D printing and other digital fabrication technologies. It explored how these tools enabled artists, designers, and architects to create non-standard objects, complex geometries, and new materialities, bridging the gap between digital design and physical production.

Question 8

Who else was exhibited at 'Imprimer le Monde'?

Accepted Answer

The 'Imprimer le Monde' exhibition featured approximately 30 creators. Other notable artists and designers included Additivism (Morehshin Allahyari and Daniel Rourke), Alisa Andrasek (Biothing), Mathias Bengtsson (with his 'Growth Table Titanium'), Gramazio Kohler Research (showcasing concrete columns), Joris Laarman, Neri Oxman and The Mediated Matter Group (MIT Media Lab), Patrick Tresset, and Daniel Widrig.

Question 9

What was the significance of the 'Imprimer le Monde' exhibition?

Accepted Answer

The exhibition was highly significant as it was one of the first major shows to comprehensively address the impact of 3D printing on contemporary art and design. It highlighted a new industrial revolution driven by digital technologies and challenged established notions of creation, authorship, and the physical object.

Question 10

Was there any media coverage for the 'Imprimer le Monde' exhibition?

Accepted Answer

Yes, the exhibition received media attention, including a feature by ARTE TV, which provided a review of the exhibition in French and German.

Question 11

Where can one find further information about Michael Hansmeyer's 'Digital Grotesque II'?

Accepted Answer

The provided page offers a link to the complete project description for 'Digital Grotesque II', which includes concept details, additional images, and video content related to the work exhibited.

Question 12

What was the 'Mutations/Créations' event series?

Accepted Answer

'Imprimer le Monde' was the inaugural exhibition of the Centre Pompidou's annual 'Mutations/Créations' event series, which aims to explore the intersection of digital technology with creation across art, innovation, and science. Subsequent editions covered themes like 'Coder le Monde' and 'La Fabrique du Vivant'.

Digital Grotesque II premieres at

Imprimer le Monde exhibition, Centre Pompidou

Further information